Filed under: Economy, Freedom, History, Military, The Constitution | Tags: Father of His Country, Founding Fathers, George Washington, Holidays, Presidents
The George Washington that most of us see most often is the engraving after the Gilbert Stuart portrait on the one dollar bill. Reproductions of the Gilbert Stuart portrait and a portrait of Abraham Lincoln used to hang on the front wall of every elementary classroom when I was growing up, with an American flag standing in the corner.
We all know, I think, that George Washington had dreadful false teeth. A terrible pity, both for the President — because they must have been instruments of torture in his mouth — and because they distract our attention from far more important things about the man. Certainly Washington must have had access to the very best dentists of the day. By 1789, he had only one of his own teeth left. The teeth were horrible-looking contraptions made of substances like hippopotamus ivory, hinged at the back and operated with springs. He complained that they distorted his lips, and they must have distorted his appearance as well.
Gilbert Stuart was the most celebrated of portraitists. He trained in London, and was thought to be a potential successor to the famed Sir Joshua Reynolds. However Stuart was extravagant and fled in debt from London. He turned up in Philadelphia during 1795 , hoping to pay off his creditors by creating a multitude of portraits of the world’s greatest man. Washington sat to him for three separate portraits, and Stuart made hundreds of copies.
According to James Thomas Flexner’s Washington: The Indispensable Man, Washington and Stuart did not get on. The portraitist usually kept his sitters amused and their faces alive by a flood of showy and outrageous talk. Washington always felt uneasy at having to remain still and being stared at and was put out rather than being amused.
Stuart, who felt that “artists were fundamentally superior to all other men including Presidents, resented Washington’s formality. He could not forget what had resulted when, in trying to unstiffen the hero, he had gone to the length of saying, “Now, sir, you must let me forget that you are General Washington and I am Stuart the Painter. Washington replied (as it seemed to him politely), Mr. Stuart need never feel the need for forgetting who he is and who General Washington is.”
Stuart emphasized, as no other portraitist did, the distortions of Washington’s mouth. Flexner suggests that since Stuart was known to have angrily used General Knox’s portrait as the door of his pigsty that perhaps the harm he did to Washington’s historical image was somewhat deliberate.
This life mask by Jean Antoine Houdon gives us more clues as to what Washington actually looked like. He was tall, about 6’2″, and most verbal descriptions mention his ‘roman’ nose, so it was perhaps a little prominent. This is not the face of the Stuart portrait, but looks more probable.
Washington was an outdoorsman who spent much of his life in the saddle, and his complexion would have reflected that — more wrinkles, more weathered. They didn’t have sunglasses and baseball hats with a brim to keep the sun out of the eyes, lots of squinting. The portrait above seems to match the life mask fairly well. A far cry from the disagreeable Gilbert Stuart portrait.
I’m going a bit out on a limb here, but I spent some years in art school attempting to capture likenesses, and the smallest errors in size and distance relationships can lose a likeness completely. Also, people see likenesses differently. Some will insist that two siblings look just alike while others will see no resemblance between the same two. I have no real explanation for that.
I suspect that Gilbert Stuart had such a reputation as a great portraitist, undoubtedly aided by his own self description, that perhaps people were apt to accept his work as the “right” one. Portraits are an odd matter. One tries to capture a mobile. alive face that changes its expression constantly and represent it on a flat surface. If you have ever had photographer’s proofs of pictures of you to choose from, that will explain the problem. They’re all you, but you’ll like some better than others.
Here are “reconstructions” done by a forensic reconstructionist of Washington at his inauguration, as a general, and at around the age of 19. They are startling in their realism. I suspect (nit-picky as I am) that the face is too free of wrinkles, and too pinky-white, and not quite rawboned enough. (I said I was being picky) But they give you a vastly different impression of the man. Haul out a dollar bill and compare. Stuart played a cruel joke on Washington.
Washington didn’t know much about being a general when he was appointed by Congress to lead the American armies, but he was the best we had, and he did fine. His men loved him, and he gradually taught them to be soldiers. He was elected unanimously to be President when he wanted nothing more than to return to Mt.Vernon and retire from public life. The people idolized him. He could have been a king or an emperor, or like some — a dictator for life. But it was he, with his sterling character, who set the nation on the right path. He had a horrible temper, and mostly kept it under firm control. Any of his deeds alone would have made him famous, but in twenty-four years he led the armies, led the country, shaped a constitution, set a nation on its path and then went on home.
ADDENDUM: I especially recommend Richard Brookhiser’s Founding Father: Rediscovering George Washington. It is not a life history, but a moral biography, only 199 pages. It’s a rewarding book. The portrait above and the one in the header are by Charles Wilson Peale.
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