American Elephants


Hollywood Celebrates Hollywood by The Elephant's Child

There was an award show last night, one of those things where Hollywood celebrates itself and gives itself little statues to brag about. The female celebrities, who are famous because some people know their names or faces, wear borrowed gowns to preen on the “red carpet” in varying states of undress, dresses that aren’t all that becoming.

In any case, I didn’t watch. I wasn’t interested. I haven’t seen any of the shows that were on last year, so I don’t care who wins what. I’ve pretty much given up on Hollywood movies. I read a lot, and there are all sorts of good stories out there, but they don’t seem interested in good stories, but only in ones they made before, that made money last time. Who needs that? Turns out a lot of people agreed with me, at least they weren’t interested either. Lowest interest in the Oscars in history. Nobody watched.  This might be the reason:

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Carbon Dioxide, CO2, Is Not Carbon by The Elephant's Child


“The fear of carbon dioxide is largely based on long range forecasts from inadequately-tested climate models that greatly overestimate the short-term temperature change that is occurring in the atmosphere, where the greenhouse effect occurs, also influenced by natural variation. The fear of carbon dioxide is promoted by relatively few scientists, and a great number of supporters. Government policies based on such fears are draining the vitality of our society, which has long been marked by constant striving for improvement, for a better future. TWTW (The Week That Was) will continue to address the fear of carbon dioxide and its associated fears. It will emphasize the benefits of increased carbon dioxide and what little warming it may cause.”

…………………………………………..Science and Environmental Policy Project
………………………………………………………………..Ken Haapala, President



The Strange Adventures of the Venus of Willendorf and Mark Zuckerberg by The Elephant's Child

This pudgy figure, the Venus of Willendorf, is to be found in the Naturhistorische  Museum in Vienna, Austria. She is a fertility figure, without face or feet, and one of the oldest sculptures we know. She was found in 1908 near Willendorf, Austria. She is a lonely representative of Stone Age sculpture, approximately from 28,000 — 25,000 years B.C.  She is carved of Oolitic limestone in the Paleolithic Period or the ‘Old Stone Age’. She’s about 4½” tall, and was covered with red ocher paint when found. An image of the work was posted on Facebook by Laura Ghianda last year, and removed as ‘inappropriate content’—despite four attempts to appeal the decision.

Ghianda, who is an activist, denounced the Facebook ruling,  The Museum protested in January requesting that the Venus be allowed to remain naked, and of course great fun was made of Facebook, and a spokesperson for Facebook apologized in March, saying that they had confused the post in question with an advertisement. “Our policies do not allow nudity or implied nudity, but we have an exception for statues.” Ms. Ghianda has launched an online petition asking that Facebook change its algorithms that are censoring art online. And so it goes in the halls of Silicon Valley.

Silicon Valley has a lot riding on its algorithms, and people are getting a little testy about being banned or wanting someone banned. The companies depend on their algorithms to help them define who is likely to be a customer for what to tell their advertisers about how much they are going to have to pay for an advertisement on a particular page, which is why you get ads for shirts when you were just looking at shirts on someone else’s website. And future gadgets and photos of you and yours will tell them even more. They want to know everything useful about you, so they can monetize it . Privacy is a thing of the past.




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